Own Art makes it easy and affordable to buy contemporary art and craft. Own Art is Creative Scotland's loan scheme. You can borrow from £100 up to £2,500 at 0% APR repayable over 10 months in equal monthly installments.

* The money can be put towards original paintings, sculpture and prints. You must be 18 years or over and be a UK resident and can apply via Gallery Heinzel, one of the network of over 300 UK galleries supporting the scheme.

*Subject to status. Terms & conditions apply.

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Rosanne Barr

Rosanne Barr graduated with First Class Honours in 2003 from Duncan of Jordanstone College of Art, Dundee and in the same year exhibited in the British Design Centre, at New Designers 2003. The following year at The Mall Galleries in London, she was one of two young Scots featured by The Society of Designer Craftsmen for 2004 and was awarded a Licentiate of Distinction. Rosanne's paintings are of a generic landscape. They look to arouse a sense of escape, which is serene, moving, and can evoke a personal memory of a place the viewer has experienced.

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Brian Baxter

Brian is Scottish by birth and a graduate of Oxford University where he received his doctorate in philosophy. He is an award-winning author on environmental philosophy and was an academic at Dundee University for over 30 years. Particularly highly regarded for his watercolours, he also enjoys working in mixed media, pastels, gouache, acrylics and oils. He is well known for his paintings of wildlife and domestic animals, flowers, landscapes and portraits.

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Sheila Baxter

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George Birrell

George Birrell is a unique literary voice in Scottish contemporary painting. After graduating from Glasgow School of Art in 1971, he spent the last four and a half decades fine-tuning a style that is both lyrical and highly technical, contributing regularly to exhibitions at home and abroad. Rooted in the landscape and buildings of East Scotland, his painting is strongly influenced by the Scottish Colourists and the black and white photography of Ansell Adams, demonstrating a pitch perfect understanding of hue, tone and design.

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Francis Boag

Francis Boag's vivid depictions of the rural hinterland and coastline of the North East have made him perhaps one of the best loved contemporary painters working in Scotland. A master of colour and form, his canvases are a beautiful balance between an intellectual interpretation of a landscape and an emotional response to it. Francis graduated from Duncan of Jordanstone College of Art, Dundee, in the late sixties and after many years in teaching, now paints full-time near the coastal village of Stonehaven. His work appears in private and public collections the world over.

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Kim Bramley

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Kathleen Bremner

Kathleen studied at Grays School of Art and taught until retirement in 1991. Throughout her career she continued to paint and exhibit, developing a free and expressive style. Although her preferred medium is watercolour, she has had much success in recent years in acrylics, painting unique and delicate interpretations of Aberdeen's vibrant city and surrounding landscape.

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Davy Brown

Born and raised in Kilmarnock, Ayrshire, Davy attended Glasgow School of Art in the early 1970's. Whilst at college, Davy travelled to St Ive's, Cornwall where his love of landscape was kindled. He now lives and works in Dumfries and Galloway where the landscape is a continual source of inspiration.

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Stuart Buchanan

Stuart attended Glasgow School of Art in the late ‘80s, pursuing a career in framing and painting after graduation. Whilst living in Glasgow he and his wife set up the Mansfield Park Gallery in the city’s West End, a base from which Stuart also developed a following for his symbolic and thought-provoking canvases. After establishing a successful business, the couple took a life changing decision to move to Catterline south of Stonehaven in 2006. Stuart now lives and works in the village, painting from the Watch House studio.

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Chris Bushe

Born in Aberfeldy in Perthshire in 1958, Chris Bushe studied Fine Art at Grays School of Art before building a successful career as an exhibiting artist. Chris works primarily in oils and is held in high esteem for his large-scale, thick impasto interpretations of weather and landscape. He has won many awards including the Discerning Eye Founder's Purchase Prize, the Scottish Arts Club Award, Glasgow Arts Club Fellowship, RSW Council Award and the McManus Galleries Purchase Prize.

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Patricia Cain

Born in Newcastle and raised in the Lake District Patricia\\\'s paintings are a response to her immediate environment and the impact that has on her sense of identity. Increasingly her work reflects the urban environment of Glasgow where she now lives and works. Patricia\\\'s route to artistic practice was a circuitous one, abandoning illustration at St Martins in London to train as a lawyer. Having qualified she worked for eight years before moving to Glasgow and qualifying in Scottish law. In 2004 she began work on an interdisciplinary research PhD at the Glasgow School of Art. Since then she has won innumerable prizes, awards and residencies and has had solo exhibitions at a number of public galleries.

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Grace Cameron

Born in 1961 Grace worked at a variety of jobs, including 15 years as a nurse, before turning her attention to art. She studied at Duncan of Jordanstone College of Art & Design, Dundee, graduating in 2000 in Fine Art Printmaking. Following graduation she was involved with a number of art projects and workshops with adults and also three years spent working with children with special needs. In 2008 Grace made the decision to paint full time. She now works predominantly in acrylics and is inspired by the Scottish landscape.

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Catriona Campbell

Catriona Campbell's artistic education began in infancy, as she puts it "I was taught by a man, who was taught by a man, who was taught by Manet! He was my father Ian Campbell and he taught me to observe". Her instruction continued under David Donaldson at Glasgow School of Art, from whom she acquired a delight in the qualities of paint and "an ambition to make it sing". Since graduation in the late 60's Catriona has delighted many with her paintings of people and animals and the way they interact. "I like the shapes and colours they make and the way they behave with one another. I like the spaces in between them and the possibilities of what might happen in those negative spaces. So I paint them."

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Pam Carter

Shortly after graduation from Glasgow School of Art, Tanzanian born artist Pam Carter travelled to the Seychelles to teach, it didn’t take long before she realised the direction her painting was going to take. Excited by the vibrant hues of blues and greens of the Indian Ocean, Pam knew that from now on her paintings would express the relationship between colour and light. Since then she has lived and worked in Scotland drawing on the isolated beauty of its outer islands for inspiration.

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Sam Cartman

Sam Cartman lives and works in Dumfries & Galloway. Originally from Shropshire, he completed a Fine Art Degree in Carlisle before moving to Glasgow for eight years. His paintings are a response to being in the landscape: they are shaped by the experience of being in a certain place at a certain time and the memory of this. These experiences are the basis for his involvement with the paint, and from then on, his interaction with the paint takes over. The process allows him to show in painting, something of the place he is in or has been in. There is a poetic sparseness to Cartman's paintings of wide open spaces, in the skies or the sculpted buildings which look as if they have been there for all time. (Jan Patience, The Glasgow Herald)

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Malcolm Cheape

Malcolm Cheape graduated form Duncan of Jordanstone College of Art, Dundee in 1987 and he has worked widely as a full-time artist in Scotland and London ever since. His subject matter is drawn almost exclusively from the sea and his work heavily supported by research. His distinctive style combines paint, ink, pencil marks, paper and tape to create detailed, multi-layered pieces that are held in many private and public collections at home and overseas.

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Kirstie Cohen

Since graduating from Glasgow School of Art in 1988, Kirstie Cohen has built up a strong fan-base with her powerful landscapes. In paintings reminiscent of the great Romantic tradition she depicts the drama of a mountain range or seascape in a way that feels real and specific yet also a product entirely of the imagination; a non-existent place. Kirstie lives and works in Invernesshire (check) exhibiting widely throughout Scotland and England. She has won many awards including the Nancy Graham Memorial Prize and the prestigious Hospitalfield Scholarship.

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Jane Cruickshank

Jane Cruikshank is one of the most modern artists working on canvas in Scotland today, taking the medium of oil paint and making it speak in a way that is both contemporary and traditional. Whether a quiet, intimate self-portrait or a poignant still-life, Jane\'s pieces combine classical lighting techniques, almost reminiscent of the Old Masters, with a thoroughly modern, photographic looking brushwork. The effect is at once precise but also beautifully enigmatic. Jane graduated in 1998 from Grays School of Art, Aberdeen and exhibits throughout Scotland.

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Emma S Davis

Born into a family of artists in Paisley in 1975, Emma studied Fine Art Drawing & Painting at The Glasgow School of Art and graduated in 1998 with a BA (Hons). She exhibited in galleries throughout Scotland during her studies, which concluded in a sell-out degree show.Emma was the youngest ever recipient of the Alexander Graham Munro Travel Award at the RSW Annual Exhibition in 1999, which allowed her to travel and paint extensively in Italy the following year.She was elected an artist member of the RSW in November 2001. Since then, she has won several prestigious awards and has exhibited at several group and solo exhibitions throughout the UK.

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Peter Davis

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Lisette Degioanni

Lisette graduated in 2007 with a BA (Hons) Fine Art from Gray’s School of Art, Aberdeen. She originally studied history of art at Kingston University, London and trained as a ceramic artist before raising her family. It was her return to full-time education at Gray’s which enabled her to explore through her work the constraints women often face not being able to do what they want in life, not being able to put themselves first and being caught up in the ‘machinery of life’. Since studying at Gray’s Lisette has won the prestigious David Gordon Memorial Trust Award from the Royal Scottish Academy (RSA),s as well as being awarded the John Kinross Scholarship (also by the RSA) which enabled her to travel to Florence to experience the city’s classical art and architecture. Lisette lives and works in Banchory, Kincardineshire.

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Michael Dix

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Leo du Feu

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Wilma Dunbar

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Alison Dunlop

Born in Canada in 1958, Alison began her studies in Canada before continuing at the Ecole des Beaux-Arts and Universite de Franche-Comte, Besancon, France. In 1982, she came to Scotland to undertake postgraduate studies at Edinburgh College of Art, and subsequently made Scotland her home. In 1989 Alison was elected a member of the Royal Scottish Society of Painters in Watercolour and is a past Vice-President of the Society. She also served as President of Visual Arts Scotland for three years in the 1990s and has been made an honorary life member. Twice the recipient of the Elizabeth T Greenshields Foundation Scholarship, she has been short listed several times for the Noble Grossart Painting Prize and received the Alexander Graham Munro Award from the RSW in 1997 and the John Gray Prize in 2007.

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Peter Dworok

Peter Dworok was born in Nottingham and studied art firstly at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design. After leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a centre for excellence in the applied arts. Over twenty five years later, Peter retired from his role at Rufford and now concentrates on his own painting practice in the beautiful Minster town of Southwell.

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Sandra Emslie

Sandra lives and works in rural Aberdeenshire capturing the changing colours of the surrounding countryside. Her \'patchwork\' interpretations of the landscape are uniquely her own.

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Margaret Evans

A graduate of Glasgow School of Art in 1974, Margaret combines teaching and painting in her career, travelling extensively throughout America and Europe. Her experiences abroad are reflected in her Scottish landscapes, as she says "Painting is not about copying but exaggerating it's line, composition and colours. My teaching takes me all over the world, which has broadened my perspective on landscapes, but also makes me appreciate my own country and what scope Scotland has to offer in subject matter for artists." Renowned for her pastel painting, Margaret is a member of the Portrait Society of America, featuring regularly in the International Artist magazine.

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John Glynn

Born in Plymouth in 1964, John was interested in painting and drawing since childhood. His ambition to be an artist was thwarted by the tragic death of his father when he was thirteen. John turned down a place at Plymouth School of Art choosing instead to go out to work to contribute to the family finances. He kept painting and drawing in his spare time producing abstract and surreal work which was exhibited in the Plymouth area and with which he had some success. For some years he designed sea life artwork that was reproduced in print. This gave him the confidence (and income) to risk painting full time. He moved to Banff in Scotland in 2007 where the peace and serenity of the coastal villages inspired him to produce seemingly simple line drawings of the houses and harbours. These drawings have become his signature style and are exhibited in galleries across Scotland.

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Peter Goodfellow

Born in Middlesbrough Peter attended grammar school before completing a foundation course at Middlesbrough College of Art. He went on to study at the Central School of Art, London from 1968-71. His work is represented in galleries across Scotland and the UK and has been exhibited in Ireland and Germany as well. His self portrait \"All Dressed up for Mam and Dad\" has been exhibited at the National Portrait Gallery in London and currently at the National Portrait Gallery in Edinburgh. He now lives and works in Strathdon in Aberdeenshire where he runs The Lost Gallery with his wife Jean.

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Alan Hayman

Alan Hayman is a self taught artist born and reared in Montrose, Angus. He drew continuously throughout his life. Through observation of the world around him, and experimentation with different media and techniques, he developed his own recognizable style. He now lives and works from his studio in Drimnin in Argyll where he continues to be inspired by the natural world around him.

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Douglas Heggie

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Steven Higginson

Steven was born in Dumfries, Scotland, in 1982. Growing up, Steven often sketched the iconic images from album covers and music books and these influences have stayed with him and can be seen in the use of pop photography in his contemporary still lifes. Having won various national competitions and prizes for his work, Steven followed his inevitable path in art, choosing to study at Duncan of Jordanstone College of Art and Design, Dundee in part due to the art school's traditional approach to teaching painting. He was awarded The Aiden Threlfall Traveling Scholarship from the Goldsmith's Company in London in 2004, the year he graduated. He used the scholarship to spend time in Paris, Venice, Rome and Madrid studying works of the old masters, namely Velazquez, Caravaggio and Manet. This trip proved very influential as these artists' chiaroscuro style can still be seen in his work today. He has been painting full-time since 2005, and has had work accepted at the RGI and Aberdeen Artists Society annual shows.

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Jonathan Hood

Born 1957 in Edinburgh, Jonathan was educated in Fife and Angus and attended Duncan of Jordanstone College of Arts from 1976 to 1979 going on to study drawing at the Ecole des Beaux Arts, Paris in 1979. He became a full-time artist in 1989 and has exhibited widely throughout Scotland including the Aberdeen Artists\\\' Society and Royal Scottish Academy. His work is held in private collections throughout the world.

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Jennifer Houliston

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Catherine Imhof-Cardinal

Catherine Imhof-Cardinal is a Swiss-French artist living near Aberdeen in Scotland. She began her career in Aix-en-Provence. Catherine\'s work is informed by a strongly developed sense of colour, often in daring and unusual composition of a figurative or semi-abstract nature. Her approach to composition is without preconception; each work gradually emerges from a series of lines thrown onto the sheet, the subject and composition suggesting themselves through the work process. In this way, impressions gathered on travels and from life in general re-emerge in the paintings, not as factual representations but as images imbued with the feeling of places and events.

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Cate Inglis

Cate Inglis is a Scottish painter and printmaker and the 2013 winner of the RGI Armour Award for Landscape Painting of Distinction. The recipient of two awards whilst attending Glasgow School of Art, since graduating she exhibits regularly in both solo and group exhibitions. She works from her home-studio in the West End of Glasgow surrounded by post-industrial inspiration. Of her work she says "My practice is concerned with the layers and structure of the urban landscape: the transience of the built environment in a relentless process of growth and change. Anonymous yet familiar, I focus on the mundane city streets...the overlooked and unnoticed details in a patchwork of grand houses, industrial wastelands, concrete offices and glittering new flats that fill the streets of our cities. I am drawn in by the illusion of permanence that we create for ourselves and the fragile nature of the recognisable city in a time of accelerating change. The surfaces of my paintings echo the structure of these complex layers. By constructing and peeling back layers of paper, I create delicately textured surfaces on which to paint, print and draw. The paper layers act as a metaphor for how thin and temporary everything we build ultimately is."

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Frances Innes

Frances trained at Gray's School of Art and now lives and works near Peterhead in the North East of Scotland. The coastline is a favoured subject.

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Anita Inverarity

Local artist Anita Inverarity trained as a graphic designer at Aberdeen College and it was here with support from her tutors that her apptitude for illustration was recognised and encouraged. Her unique style of intricate pen and ink work developed during this time which she used to illustrate children\\\'s books. Inspiration for her work comes from many sources - the wildlife around Deeside as well as folklore and Scottish fairytales.

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David Johnston

David Johnston is a landscape artist based in the Mearns in the North East of Scotland. A retired teacher, he is a self taught and now teaches others hosting workshops and courses.He works almost exclusively in watercolour and, following in a tradition of Scottish landscape painting, he paints on the spot whenever possible. He enjoys working from nature and does this directly in paint, as well as using a sketchbook backed up by digital photography for reference. Using this arsenal he sometimes finishes work in the studio.His work is exhibited widely across the north east of Scotland and further afield in Glasgow and London. It forms part of the collection of the Royal Bank of Scotland and Aberdeenshire Council.

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Kittie Jones

Born in Cumbria, Kittie moved to Edinburgh to study at Leith School of Art and went on to study Fine Art at Edinburgh University and Edinburgh College of Art graduating with an MA in 2008.She now works as a tutor at Leith School of Art whilst continuing to produce her own work for national exhibitions from her studio at Coburg House in Leith.

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Anna King

"I love to explore empty, feral places: wastelands, abandoned buildings and barren pieces of scrubland. I find myself in no-mans land, unclaimed territory that, for a while anyway, I can have as my own." Since her sell out degree show at Duncan of Jordonstone College of Art, Dundee in 2005, Anna King's unique perspective on decaying structures and landscapes has been seen at various prestigious English and Scottish galleries and in June 2007 she won the inaugural Jolomo Lloyds TSB Scotland Award for landscape painting. Although she lives and works in the Scottish Borders, Anna now travels increasingly throughout Europe, looking for the expanses of cracking concrete that inspire her so much. "Once a hive of human activity, these forgotten places have no purpose left but no rules either and nature is slowly and relentlessly taking the land back."

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Lindsey Lavender

Lindsey is a trained architect and for many years painted in her spare time whilst pursuing her professional career. In recent years she has focussed on creating and exhibiting her artwork, whilst continuing her artistic development part-time at Edinburgh College of Art. Lindsey's art encompasses drawing, painting, printing, collage and textiles. Recently painting has been the predominant part of her practice. Through her work, she examines natural and built environments, seeking simple observations that are often overlooked. She is fascinated by and intrigued with the everyday. The work has been described as having a sense of melancholy calm that draws the viewer in. It explores, often through a restricted palette, the juxtaposition of manmade and natural as well as rhythm, and the play of light and shade, often on the seemingly ordinary. Lindsey's first exhibition piece 'Forest Series - Untitled' was awarded the ‘Connell & Connell Prize’ at the SSA Open Exhibition 2013. Lindsey is a member of the SSA (Society of Scottish Artists), VAS (Visual Arts Scotland) and AIR (Artists Interaction and Representation)

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Jennifer Mackenzie

"I enjoy exploring colour and the tactile qualities of paint mainly through still life." Jennifer Mackenzie graduated from Glasgow School of Art in late 1971. Studying under tutors such as David Donaldson and Sandy Goudie her work reflects the Scottish painterly tradition prevalent at the time. Jennifer's rich, exuberant canvases are appreciated throughout Scotland. She took time out from her career to bring up her family and for some years taught at schools in Lanarkshire, Inverness and latterly Sutherland. Her studio is based there in Golspie where she lives and works.

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Shazia Mahmood

Shazia Mahmood has been producing her own unique works for over two decades. She regularly shows her work publicly and has an impressive list of exhibitions to her name. Ttrained and based in England, Shazia's love of Scotland began with a trip to Sutherland in 1994. Since then she's been hooked on the light and landscape which brings her North repeatedly where the landscape continually inspires.

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Jenny Matthews

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Robert McAulay

Born on the south side of Glasgow in 1961, Robert trained as an upholsterer before attending art college in the mid 1980's. Since then he has gained recognition for his mixed media works depicting enigmatic scenes often at the edges of human inhabitation. "Many of my paintings are full of symbols or images relating to events, thoughts, ideas from my life, but I am not going to bore the viewer with such details. The viewer will bring all of their own memories with them, and will either connect in some way with what they see or they will not. I like mystery, I do not want everything explained to me, I like to discover for myself."

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Sandy McEwan

"I have always loved making things, constructing, deconstructing and reconstructing. I am interested in life's experiences, both real and imagined, awakening memories and opening doors\\". Sandy McEwan graduated from Grays School of Art in 2006 with a degree in Fine Art Printmaking, having won the RSA Student Show Special Purchase prize. Her work features maps folded or cut to represent children's clothing, her pieces recall her childhood experiences spent travelling in Africa during the 1950s. She adds \\"I am fascinated by the relationship between the past and the present in our lives, especially the way these collide through memories which resurface unbidden."

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Lesley D McKenzie

Lesley has lived in the Aberdeen area all her life. Originally a graphic designer, she worked in the oil industry until deciding to 'go it alone' in 1996. Since then Lesley has developed an enthusiastic fan base, who love her quirky animal ceramics and joyful animal portraits. Lesley says, "As a child I would often study anatomy books, working out the muscles on any animal compared to the human and could sketch many animals from memory. I still employ this method today. It's a spontaneous way of working that suits my personality."

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Phil McLoughlin

Phil McLoughlin was born Phil Barker in Dunfermline in 1946. He worked as a foundry labourer, railway porter and jute millworker and psychiatric nurse between 1964 and 1975. Despite no formal training in art his work was exhibited as part of the Scottish Young Contemporaries in 1968. Around this time he was awarded a prize by the RSA and set up an artists collective in Dundee. In 1978 he gave up art to train as a psychotherapist going on to pursue an academic career. He was awarded a doctorate in Philosophy in 1985 and went on to work in universities in England, Australia, Japan and Ireland as a professor, psychotherapist and author. He returned to painting in 2007 as 'Phil McLoughlin' to much acclaim. He was elected a professional member of the Society of Scottish Artists in 2012.

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Liz Milne

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Ryan Mutter

Born in 1978, Ryan studied at Glasgow School of Art, where he graduated in 2001. Like many artists he began his professional career teaching, but as demand for his work steadily grew he made the decision to paint full time in 2005. He has won several awards, including three consecutive years at the Royal Glasgow Institute, and his work can be found in collections around the world, including Geneva, Zurich, Vancouver, Belgium, Tasmania, Boston, and Utrecht. His inspiration comes from Britain’s industrial heritage, and Glasgow’s historical role as the ship building capital of the world. Through his work Ryan seeks to capture and remind people of how important Glasgow’s huge work force was in the development of the modern world.

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Amanda Phillips

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John Paul Raine

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Ian Rawnsley

Born in 1961 Ian’s earliest memories are of drawing for amusement and then falling in love with colour when he began dabbling with oils as a child. He pursued a career in the IT industry whilst continuing to paint and draw in his spare time. Since 2005 he has been painting professionally exhibiting his work in galleries in Ireland, England and Scotland. Since 2012 he has been working full time as an artist, initially in Glasgow and now from his home and studio in Ayrshire.

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Alexander Robb

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Ronnie Russell

Ronnie Russell was born in Aberdeen and for most of his life has lived in Troon, Ayrshire. After 25 years in the textile design industry, Ronnie is now a full time artist and cartoonist, since the early 1990's specialising in acrylic and watercolour painting.

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Maryann Ryves

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Joe Smernicki

Originally from Blairgowrie, Perthshire, Joe graduated from Duncan of Jordanstone College of Art in 1973, having gained a High Commendation in his Post-graduate year and as a student he won a scholarship to attend the Hospitalfield House Summer School in Arbroath in 1971. He worked for many years as a teacher and attained the position of Head of Art at Arbroath Academy. Now retired from teaching, Joe is concentrating on painting from his home and studio in Montrose. The inspiration for my work comes almost exclusively from the coastal and rural environment around my home town of Montrose. The paintings reflect a dual interest. On one hand they are portrayals of a very distinctive and visually rich landscape with its fishing stations, small boats, farm implements and sheds. Equally, the paintings are an exploration of colour, tone, shape and line that are brought together in a carefully balanced composition.

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David Smith

Born in 1957, David Smith is a Scottish contemporary landscape artist. The palette and inspiration for his work is taken from the seaboard and landscape of Scotland. Although predominantly a self-taught artist, he has studied at various colleges including the Glasgow Print Studio, Glasgow College of Building and Printing, Glasgow School of Art and Latrobe University, Melbourne, Australia. A past member and president of the Glasgow Group of Artists, he was elected member of the Royal Scottish Society of Painters in Watercolour (RSW) in 2011. He was elected member of RSW council in 2013. Smith has shown at the Royal Glasgow Institute (RGI), Royal Scottish Academy (RSA), Paisley Art Institute (PAI) and RSW annual exhibitions and has won various prestigious awards.

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Mairi Stewart

Born and educated in Scotland, Mairi Stewart studied Drawing and Painting at Edinburgh College of Art, graduating in 1977. She obtained a Diploma in Secondary Teaching, continuing to paint and exhibit throughout her teaching career. She is now a professional artist, working from her Edinburgh studio and exhibiting regularly in galleries throughout the UK. Her colourful still life paintings explore the relationship that selected objects have with memory. The work is not a literal portrayal and the essence of the work is simplicity. A flattened perspective and a bold use of colour help to heighten the contemporary vision.

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Fiona Sturrock

Working mainly in acrylics, Fiona has an interest in the old and new, the past and the present, and how these function together within the same space. She is drawn to objects with a history and a story. Old vases and jugs hold the vibrant newness and natural simplicity of the flowers that she favours in her paintings. Fiona paints from a mixture of life scenes, photographs and her imagination. She is influenced by the works of the Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art. Fiona's work is exhibited by a number of Scottish galleries and is held in private collections in the UK and overseas.

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Tricia Thom

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Fiona Thomson

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Marion Thomson

Marion Thomson was born in 1958 and studied at Glasgow School of Art from 1976 - 78, and then at Glasgow University where she was awarded an M.A. in History of Fine Art, Drama , Film and Television. From 1981- 99 Marion worked as a Costume Designer in theatre , film and television while continuing to paint. Inspired by the Scottish landscape she says For as long as I can remember, the Outer Hebrides and the western seaboard of Scotland have been a source of inspiration and delight to me. The unique qualities of that landscape - its remoteness, its sense of rugged endurance contrasted with the delicacy of certain shorelines, the physical isolation of the people and their homes - all create a powerful drama that draws me back again and again.”

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Kitty Watt

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Jenny Watt-Colbeck

Jenny lives and works in rural Aberdeenshire where she combines parenting with painting. She has a very distinct style which she used to depict what she observes around her.

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Ann Wegmuller

Born in Gourock in Scotland, Ann lived in Zurich, Switzerland for over ten years before returning to live in Perthshire. She attended Duncan of Jordanstone College of Art and Design, Dundee graduating in 1985. She is an elected member of the Royal Society of Painters in Watercolour, the Royal Watercolour Society and Aberdeen Artists Society. She has won many prestigous awards and her work is held in a number of corporate collections as well as private collections worldwide.

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Allison Weightman

Allison lives and works in a remote cottage in the highlands where for many years she developed her own style and techniques for building and firing clay. When her youngest son reached school age she decided to attend university studying ceramics at Edinburgh College of Art. For four years she combined studying full-time in the capital with family life in the highlands. Allison works in clay, firing at different temperatures to create pieces of raku, porcelain and stoneware ceramics. Her kilns are fired by bottle gas which is transported by boat across a loch to her home. Her work is both physically and technically challenging - the remoteness of her studio adds to the difficulty.

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Gordon Wilson

Gordon Wilson is one of Scotland’s most exciting contemporary artists. He was born in 1968 and grew up in Glasgow where he is now based. He studied at The Glasgow School of Art and has worked in the art industry for many years as a designer, picture framer and artist. Gordon’s subject matter ranges from quirky portraiture to emotive land and seascapes, his deep love of the west coast of Scotland shines through in his evocative work. Gordon paints from the heart, his expressive oil paintings reflect the ever changing moods of both the countryside and the artist himself. Today his work can be found in both corporate and private collections throughout the world. He exhibits in leading art galleries throughout the UK and has participated in several solo exhibitions and numerous group exhibitions including The Royal Glasgow Institute and The Paisley Arts Institute .

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    • Rosanne Barr

    • A Break of Light Through Heavy Clouds

    • Oil

    • 60 x 90 cm

    • £2,200

    • £220.00 per month

    • Rosanne Barr

    • Poppies Lining the Shore

    • Oil

    • 60 x 60 cm

    • £1,200

    • £120.00 per month

    • Rosanne Barr

    • A Break of Light Through the Clouds

    • Oil

    • 30 x 60 cm

    • £750

    • £75.00 per month

    • Brian Baxter

    • Long-eared Owl in Winter

    • Mixed media

    • 40 x 48 cm

    • £450

    • £45.00 per month

    • Sheila Baxter

    • Enchanted Reflections

    • Acrylic on board

    • 80 x 30 cm

    • £290

    • £29.00 per month

    • George Birrell

    • Castle Wall & Postbox

    • Oil on linen

    • 60 x 70 cm

    • £4,995

    • £250.00 pm + deposit

    • Kim Bramley SGS CGS

    • Scattering Seeds

    • Kiln formed glass

    • 0 x 0 cm

    • £400

    • £40.00 per month

    • Kim Bramley SGS CGS

    • Tapestry Land Moss Ripple Blue (38)

    • Kiln formed glass

    • 38 x 38 cm

    • £270

    • £27.00 per month

    • Kim Bramley SGS CGS

    • Colourscape Necklace 5.1

    • Kiln formed glass

    • 0 x 0 cm

    • £50

    •  
    • Kim Bramley SGS CGS

    • Colourscape Necklace 5.2

    • Kiln formed glass

    • 0 x 0 cm

    • £50

    •  
    • Kim Bramley SGS CGS

    • Tapestry Land Plate 4.1 (12)

    • Kiln formed glass

    • 12 x 12 cm

    • £25

    •  
    • Kim Bramley SGS CGS

    • Tapestry Land Plate 4.2 (12)

    • Kiln formed glass

    • 12 x 12 cm

    • £25

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    • Kathleen Bremner

    • Buying Honey, Thistle Street Market

    • Acrylic on board

    • 30 x 30 cm

    • £430

    • £43.00 per month

    • Kathleen Bremner

    • International Market, Union Terrace

    • Acrylic on board

    • 30 x 30 cm

    • £430

    • £43.00 per month

    • Davy Brown

    • Country Church

    • Oil on board

    • 30 x 60 cm

    • £2,000

    • £200.00 per month

    • Davy Brown

    • Galloway Town

    • Oil on board

    • 30 x 30 cm

    • £1,250

    • £125.00 per month

    • Chris Bushe RSW

    • September Evening, Saligo Bay

    • Oil on board

    • 55 x 80 cm

    • £3,750

    • £250.00 pm + deposit

    • Chris Bushe RSW

    • April Morning, Saligo Bay

    • Oil on board

    • 50 x 60 cm

    • £2,750

    • £250.00 pm + deposit

    • Chris Bushe RSW

    • August Afternoon, Saligo Bay

    • Oil on board

    • 40 x 60 cm

    • £2,500

    • £250.00 per month

    • Patricia Cain RGI

    • Re-edify me, moon, give me again

    • Pastel

    • 60 x 75 cm

    • £2,000

    • £200.00 per month

    • Patricia Cain RGI

    • The Presence of Trees

    • Pastel

    • 60 x 75 cm

    • £2,000

    • £200.00 per month

    • Catriona Campbell

    • Fisherman, Three Dancers & Two Cats

    • Oil on board

    • 38 x 38 cm

    • £1,500

    • £150.00 per month

    • Pam Carter

    • Calgary Bay

    • Oil on canvas

    • 50 x 70 cm

    • £3,800

    • £250.00 pm + deposit

    • Pam Carter

    • A Touch of Light

    • Oil on canvas

    • 40 x 40 cm

    • £2,000

    • £200.00 per month

    • Pam Carter

    • Beach Stack

    • Oil on canvas

    • 20 x 40 cm

    • £1,400

    • £140.00 per month

    • Pam Carter

    • Sundown on Rum

    • Oil on canvas

    • 25 x 30 cm

    • £1,200

    • £120.00 per month

    • Sam Cartman

    • Ae Fields I

    • Oil on board

    • 60 x 80 cm

    • £2,200

    • £220.00 per month

    • Sam Cartman

    • Ae Fields II

    • Oil on board

    • 60 x 80 cm

    • £2,200

    • £220.00 per month

    • Sam Cartman

    • Milnton Byre

    • Oil on board

    • 60 x 80 cm

    • £2,200

    • £220.00 per month

    • Sam Cartman

    • Towards the Loch

    • Oil on board

    • 60 x 80 cm

    • £2,200

    • £220.00 per month

    • Sam Cartman

    • Dalveen Morning

    • Oil on board

    • 30 x 40 cm

    • £850

    • £85.00 per month

    • Emma S Davis RSW

    • Evening Light & Memories

    • Mixed media

    • 60 x 60 cm

    • £2,400

    • £240.00 per month

    • Emma S Davis RSW

    • Bluebells & Birdsong

    • Mixed media

    • 38 x 38 cm

    • £1,400

    • £140.00 per month

    • Michael Dix

    • Apidae Market

    • Acrylic on canvas

    • 120 x 90 cm

    • £1,950

    • £195.00 per month

    • Michael Dix

    • Anthecology Idol

    • Acrylic on canvas

    • 120 x 90 cm

    • £1,750

    • £175.00 per month

    • Alison Dunlop RSW

    • Knot Long Now

    • Oil on canvas

    • 70 x 70 cm

    • £4,800

    • £250.00 pm + deposit

    • Peter Dworok

    • Cuillins, Isle of Skye Elgol

    • Oil on board

    • 60 x 60 cm

    • £1,050

    • £105.00 per month

    • Peter Dworok

    • Glen Bracadale, Isle of Skye

    • Oil on board

    • 60 x 60 cm

    • £1,050

    • £105.00 per month

    • Peter Dworok

    • River Snizort, Isle of Skye II

    • Oil on board

    • 60 x 60 cm

    • £1,050

    • £105.00 per month

    • Peter Dworok

    • Cuillins, Isle of Skye

    • Oil on board

    • 40 x 40 cm

    • £850

    • £85.00 per month

    • Peter Dworok

    • Glen Sligachan, Isle of Skye

    • Oil on board

    • 40 x 40 cm

    • £850

    • £85.00 per month

    • Peter Dworok

    • Loch Scavaig, Isle of Skye

    • Oil on board

    • 40 x 40 cm

    • £850

    • £85.00 per month

    • Peter Dworok

    • River Snizort, Isle of Skye

    • Oil on board

    • 40 x 40 cm

    • £850

    • £85.00 per month

    • Peter Dworok

    • Slapin Bay, Isle of Skye

    • Oil on canvas

    • 40 x 40 cm

    • £850

    • £85.00 per month

    • Margaret Evans

    • Twisted Trees & Bluebell Carpet

    • Gouache & pastel

    • 75 x 75 cm

    • £1,995

    • £199.50 per month

    • John Glynn

    • The Black Cat

    • Ink on paper

    • 52 x 47 cm

    • £550

    • £55.00 per month

    • John Glynn

    • Clocking Off

    • Ink on paper

    • 40 x 50 cm

    • £320

    • £32.00 per month

    • Alan Hayman

    • Reed Bunting

    • Acrylic on board

    • 45 x 85 cm

    • £3,800

    • £250.00 pm + deposit

    • Alan Hayman

    • Sparrowhawk

    • Acrylic on board

    • 60 x 35 cm

    • £2,400

    • £240.00 per month

    • Jonathan Hood

    • The Empress's New Clothes

    • Oil on board

    • 70 x 70 cm

    • £1,950

    • £195.00 per month

    • Cate Inglis

    • Black Warehouse

    • Monoprint & oil on board

    • 30 x 90 cm

    • £1,450

    • £145.00 per month

    • Cate Inglis

    • Demolished

    • Monoprint & oil on board

    • 25 x 40 cm

    • £800

    • £80.00 per month

    • Cate Inglis

    • Printworks II

    • Monoprint & oil on board

    • 25 x 40 cm

    • £800

    • £80.00 per month

    • Frances Innes

    • Sea, Sky & Rocks, Cullen

    • Acrylic on board

    • 35 x 45 cm

    • £500

    • £50.00 per month

    • David Johnston

    • Spring Morning Light, St Cyrus

    • Watercolour

    • 30 x 70 cm

    • £850

    • £85.00 per month

    • Anna King

    • Windswept

    • Oil & pencil on paper & board

    • 40 x 95 cm

    • £1,800

    • £180.00 per month

    • Anna King

    • Cambuston Quarry IV

    • Oil & pencil on paper & board

    • 40 x 50 cm

    • £1,350

    • £135.00 per month

    • Anna King

    • Pylon, Inshriach

    • Oil & pencil on paper & board

    • 40 x 50 cm

    • £1,350

    • £135.00 per month

    • Anna King

    • Dark Sky

    • Oil & pencil on paper & board

    • 26 x 32 cm

    • £800

    • £80.00 per month

    • Anna King

    • Moorland

    • Oil & pencil on paper & board

    • 26 x 32 cm

    • £800

    • £80.00 per month

    • Anna King

    • Winter Trees

    • Oil & pencil on paper & board

    • 26 x 32 cm

    • £800

    • £80.00 per month

    • Shazia Mahmood

    • East Head, Storm Arriving

    • Oil on canvas

    • 75 x 100 cm

    • £2,000

    • £200.00 per month

    • Jenny Matthews

    • Heather Hills, Braemar

    • Watercolour & mixed media

    • 37 x 37 cm

    • £950

    • £95.00 per month

    • Sandy McEwan

    • A Rendezvous with Dreams

    • Vintage maps

    • 60 x 60 cm

    • £395

    • £39.50 per month

    • Liz Milne

    • Gossip of Pelicans

    • Oil on board

    • 50 x 40 cm

    • £495

    • £49.50 per month

    • Liz Milne

    • Pelican Crossing

    • Oil on canvas

    • 50 x 50 cm

    • £495

    • £49.50 per month

    • Liz Milne

    • Pelicans Paddling

    • Decoupage under glass

    • 33 x 33 cm

    • £145

    • £14.50 per month

    • Ryan Mutter

    • My Work is Done

    • Oil on canvas

    • 30 x 30 cm

    • £1,200

    • £120.00 per month

    • Ryan Mutter

    • Remembering the Past

    • Oil on canvas

    • 30 x 60 cm

    • £1,200

    • £120.00 per month

    • Ryan Mutter

    • The Old Way of Building

    • Oil on canvas

    • 30 x 60 cm

    • £1,200

    • £120.00 per month

    • David Smith RSW

    • The High Road, Ballater

    • Oil on linen

    • 50 x 50 cm

    • £2,200

    • £220.00 per month

    • David Smith RSW

    • Windswept Shore, Harris

    • Oil on linen

    • 40 x 60 cm

    • £2,200

    • £220.00 per month

    • David Smith RSW

    • Early Morning, Moray Harbour

    • Watercolour

    • 40 x 55 cm

    • £1,200

    • £120.00 per month

    • Mairi Stewart

    • Inside My Dreams

    • Acrylic on canvas

    • 70 x 70 cm

    • £1,750

    • £175.00 per month

    • Mairi Stewart

    • Paradise Pastures

    • Acrylic on canvas

    • 60 x 60 cm

    • £1,350

    • £135.00 per month

    • Mairi Stewart

    • Autumn Arrangement

    • Acrylic on board

    • 40 x 40 cm

    • £650

    • £65.00 per month

    • Mairi Stewart

    • Fedden Mug & Tulip

    • Acrylic on board

    • 40 x 40 cm

    • £650

    • £65.00 per month

    • Mairi Stewart

    • Patterns and Petals

    • Acrylic on board

    • 30 x 30 cm

    • £550

    • £55.00 per month

    • Tricia Thom

    • Oval Vessel (bronze wash)

    • Wheel thrown porcelain

    • 15 x 29 cm

    • £420

    • £42.00 per month

    • Tricia Thom

    • Oval Vessel (green interior)

    • Wheel thrown porcelain

    • 17 x 30 cm

    • £375

    • £37.50 per month

    • Tricia Thom

    • Round Vessel

    • Wheel thrown porcelain

    • 15 x 27 cm

    • £375

    • £37.50 per month

    • Tricia Thom

    • Narrow Wall Vessel

    • Wheel thrown porcelain

    • 17 x 15 cm

    • £190

    • £19.00 per month

    • Tricia Thom

    • Small Narrow Wall Vessel

    • Wheel thrown porcelain

    • 17 x 11 cm

    • £120

    • £12.00 per month

    • Kitty Watt

    • Lochnagar Corrie

    • Aquatint etching

    • 30 x 47 cm

    • £480

    • £48.00 per month

    • Gordon Wilson

    • Summer Flowers, Inverurie Farmstead

    • Oil

    • 50 x 50 cm

    • £1,500

    • £150.00 per month