Own Art makes it easy and affordable to buy contemporary art and craft. Own Art is Creative Scotland's loan scheme. You can borrow from £100 up to £2,500 at 0% APR repayable over 10 months in equal monthly installments.

* The money can be put towards original paintings, sculpture and prints. You must be 18 years or over and be a UK resident and can apply via Gallery Heinzel, one of the network of over 300 UK galleries supporting the scheme.

*Subject to status. Terms & conditions apply.

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Carmen Ambrozevich

Since graduation from Grays School of Art, Carmen has taught printmaking widely across the North East and East Lothian. Her own work expresses a love of this environment. Using bold, flat washes of colour she builds a picture of a landscape constructed of layers of stone and sediment amassed slowly over time. Carmen has received a Scottish Arts Council Award and the Keith Prize at the Royal Scottish Academy. She is also a professional member of the Society of Scottish Artists and has received the Alexander Graham Munro Award at the Royal Scottish Society of Painters in Watercolour.

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Briony Anderson

Briony graduated in Fine Art Painting from Edinburgh College of Art in 2005. She first gained recognition for work in which she explored the idea of the horizon line, capturing its many consistencies and changes, in soft muted colours. In 2006 she won the Mable Mackinley Award for Painting from the Royal Glasgow Institute, plus the Aberdeenshire Visual Artist\'s Award. Since then Briony has move to London, where her work has taken a different turn, now focusing on the rich, more gestural possibilities of paint. She still takes regular trips back North of the border for inspiration.

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Bryan Angus

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Caroline Bailey

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Rosanne Barr

Rosanne Barr graduated with First Class Honours in 2003 from Duncan of Jordanstone College of Art, Dundee and in the same year exhibited in the British Design Centre, at New Designers 2003. The following year at The Mall Galleries in London, she was one of two young Scots featured by The Society of Designer Craftsmen for 2004 and was awarded a Licentiate of Distinction. Rosanne's paintings are of a generic landscape. They look to arouse a sense of escape, which is serene, moving, and can evoke a personal memory of a place the viewer has experienced.

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Brian Baxter

Brian is Scottish by birth and a graduate of Oxford University where he received his doctorate in philosophy. He is an award-winning author on environmental philosophy and was an academic at Dundee University for over 30 years. Particularly highly regarded for his watercolours, he also enjoys working in mixed media, pastels, gouache, acrylics and oils. He is well known for his paintings of wildlife and domestic animals, flowers, landscapes and portraits.

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Fraser Beaton

Mobile reception poor

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George Birrell

George Birrell is a unique literary voice in Scottish contemporary painting. After graduating from Glasgow School of Art in 1971, he spent the last four and a half decades fine-tuning a style that is both lyrical and highly technical, contributing regularly to exhibitions at home and abroad. Rooted in the landscape and buildings of East Scotland, his painting is strongly influenced by the Scottish Colourists and the black and white photography of Ansell Adams, demonstrating a pitch perfect understanding of hue, tone and design.

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Francis Boag

Francis Boag's vivid depictions of the rural hinterland and coastline of the North East have made him perhaps one of the best loved contemporary painters working in Scotland. A master of colour and form, his canvases are a beautiful balance between an intellectual interpretation of a landscape and an emotional response to it. Francis graduated from Duncan of Jordanstone College of Art, Dundee, in the late sixties and after many years in teaching, now paints full-time near the coastal village of Stonehaven. His work appears in private and public collections the world over.

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Kim Bramley Glass

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Kathleen Bremner

Kathleen studied at Grays School of Art and taught until retirement in 1991. Throughout her career she continued to paint and exhibit, developing a free and expressive style. Although her preferred medium is watercolour, she has had much success in recent years in acrylics, painting unique and delicate interpretations of Aberdeen's vibrant city and surrounding landscape.

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Colin Brown

Colin Brown has an established and ongoing record of research and creative practice. Over the past twenty four years he has built up a strong international career profile, with regular exhibitions of his paintings throughout the UK, Europe and America. He has spent periods of time living and painting in Europe - including a four month stay in Florence and four years in Dusseldorf. Brown is now based in Stonehaven on the north-east coast of Scotland, where he has his studio. His paintings have received a number of awards, most notably a major Artist\'s Grant from The Pollock-Krasner Foundation, New York in 1996. In his current work Brown pulls together random elements and fragments into closely controlled compositions. The paintings, which run a fine line between impulse and calculation, continuously shift context and meaning. Rather than attempting to realise a predetermined concept, his work follows a specific process which allows the painting to emerge through its implementation.

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Ruth Brownlee

After graduating in Drawing and Painting from Edinburgh College of Art in 1994, Ruth Brownlee worked in community art and art therapy. In 1998 she moved to Shetland where she now concentrates on capturing the energy and beauty of the islands’ wild seascapes, as they change throughout the year. Ruth has won numerous awards for her work and has completed a number of public and private commissions.

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Stuart Buchanan

Stuart attended Glasgow School of Art in the late ‘80s, pursuing a career in framing and painting after graduation. Whilst living in Glasgow he and his wife set up the Mansfield Park Gallery in the city’s West End, a base from which Stuart also developed a following for his symbolic and thought-provoking canvases. After establishing a successful business, the couple took a life changing decision to move to Catterline south of Stonehaven in 2006. Stuart now lives and works in the village, painting from the Watch House studio.

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Patricia Cain

Born in Newcastle and raised in the Lake District Patricia\\\'s paintings are a response to her immediate environment and the impact that has on her sense of identity. Increasingly her work reflects the urban environment of Glasgow where she now lives and works. Patricia\\\'s route to artistic practice was a circuitous one, abandoning illustration at St Martins in London to train as a lawyer. Having qualified she worked for eight years before moving to Glasgow and qualifying in Scottish law. In 2004 she began work on an interdisciplinary research PhD at the Glasgow School of Art. Since then she has won innumerable prizes, awards and residencies and has had solo exhibitions at a number of public galleries.

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Catriona Campbell

Catriona Campbell's artistic education began in infancy, as she puts it "I was taught by a man, who was taught by a man, who was taught by Manet! He was my father Ian Campbell and he taught me to observe". Her instruction continued under David Donaldson at Glasgow School of Art, from whom she acquired a delight in the qualities of paint and "an ambition to make it sing". Since graduation in the late 60's Catriona has delighted many with her paintings of people and animals and the way they interact. "I like the shapes and colours they make and the way they behave with one another. I like the spaces in between them and the possibilities of what might happen in those negative spaces. So I paint them."

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Kim Canale

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Lois Carson

Lois Carson has always been a \\\'maker of things\\\'. Her previous careers include clothes designer and luxury cake decorator, which she combined with raising a family overseas. But it is in sculpture that Lois has finally found her calling. After completing a BA and Masters in Sculpture at Grays School of Art in 2003, Lois is now pushing the boundaries of her artform. Working in the experimental field of acrylic and resin sculpture she combines synthetic elements with forms from the natural world.

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Pam Carter

Shortly after graduation from Glasgow School of Art, Tanzanian born artist Pam Carter travelled to the Seychelles to teach, it didn’t take long before she realised the direction her painting was going to take. Excited by the vibrant hues of blues and greens of the Indian Ocean, Pam knew that from now on her paintings would express the relationship between colour and light. Since then she has lived and worked in Scotland drawing on the isolated beauty of its outer islands for inspiration.

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Sam Cartman

Sam Cartman lives and works in Dumfries & Galloway. Originally from Shropshire, he completed a Fine Art Degree in Carlisle before moving to Glasgow for eight years. His paintings are a response to being in the landscape: they are shaped by the experience of being in a certain place at a certain time and the memory of this. These experiences are the basis for his involvement with the paint, and from then on, his interaction with the paint takes over. The process allows him to show in painting, something of the place he is in or has been in. There is a poetic sparseness to Cartman's paintings of wide open spaces, in the skies or the sculpted buildings which look as if they have been there for all time. (Jan Patience, The Glasgow Herald)

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Skelf Carving

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Malcolm Cheape

Malcolm Cheape graduated form Duncan of Jordanstone College of Art, Dundee in 1987 and he has worked widely as a full-time artist in Scotland and London ever since. His subject matter is drawn almost exclusively from the sea and his work heavily supported by research. His distinctive style combines paint, ink, pencil marks, paper and tape to create detailed, multi-layered pieces that are held in many private and public collections at home and overseas.

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Kirstie Cohen

Since graduating from Glasgow School of Art in 1988, Kirstie Cohen has built up a strong fan-base with her powerful landscapes. In paintings reminiscent of the great Romantic tradition she depicts the drama of a mountain range or seascape in a way that feels real and specific yet also a product entirely of the imagination; a non-existent place. Kirstie lives and works in Invernesshire (check) exhibiting widely throughout Scotland and England. She has won many awards including the Nancy Graham Memorial Prize and the prestigious Hospitalfield Scholarship.

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Deborah Cruden

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Peter Davis

Born in the North-East of England in 1953, Peter completed an Art and Design course at Northumberland College of Education and after that taught in Cumbria. In 1981 he moved to Orkney where he set up his own studio and gallery in Birsay, additionally teaching art to adults and children. Ten years later he moved to Shetland where his studio is based today. He has had numerous exhibitions both in the UK and overseas, and taken part in an artists' exchange programme to the Netherlands experimenting with printmaking and sculpture. Find out more on our blog. http://www.galleryheinzel.com/blog/uncategorized/peter-davis-abstract-landscape-watercolour-artist/

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Lisette Degioanni

Lisette graduated in 2007 with a BA (Hons) Fine Art from Gray’s School of Art, Aberdeen. She originally studied history of art at Kingston University, London and trained as a ceramic artist before raising her family. It was her return to full-time education at Gray’s which enabled her to explore through her work the constraints women often face not being able to do what they want in life, not being able to put themselves first and being caught up in the ‘machinery of life’. Since studying at Gray’s Lisette has won the prestigious David Gordon Memorial Trust Award from the Royal Scottish Academy (RSA),s as well as being awarded the John Kinross Scholarship (also by the RSA) which enabled her to travel to Florence to experience the city’s classical art and architecture. Lisette lives and works in Banchory, Kincardineshire.

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Wilma Dunbar

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Alison Dunlop

Born in Canada in 1958, Alison began her studies in Canada before continuing at the Ecole des Beaux-Arts and Universite de Franche-Comte, Besancon, France. In 1982, she came to Scotland to undertake postgraduate studies at Edinburgh College of Art, and subsequently made Scotland her home. In 1989 Alison was elected a member of the Royal Scottish Society of Painters in Watercolour and is a past Vice-President of the Society. She also served as President of Visual Arts Scotland for three years in the 1990s and has been made an honorary life member. Twice the recipient of the Elizabeth T Greenshields Foundation Scholarship, she has been short listed several times for the Noble Grossart Painting Prize and received the Alexander Graham Munro Award from the RSW in 1997 and the John Gray Prize in 2007.

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Peter Dworok

Peter Dworok was born in Nottingham and studied art firstly at Nottingham College of Art and Design and then at Leeds Polytechnic Faculty of Art and Design. After leaving college Peter lived and worked on the Isle of Skye and later Edinburgh where he exhibited his work widely. On moving back to Nottinghamshire, Peter was employed by Nottinghamshire County Council helping to establish Rufford Craft Centre as a centre for excellence in the applied arts. Over twenty five years later, Peter retired from his role at Rufford and now concentrates on his own painting practice in the beautiful Minster town of Southwell.

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Sandra Emslie

Sandra lives and works in rural Aberdeenshire capturing the changing colours of the surrounding countryside. Her \'patchwork\' interpretations of the landscape are uniquely her own.

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Margaret Evans

A graduate of Glasgow School of Art in 1974, Margaret combines teaching and painting in her career, travelling extensively throughout America and Europe. Her experiences abroad are reflected in her Scottish landscapes, as she says "Painting is not about copying but exaggerating it's line, composition and colours. My teaching takes me all over the world, which has broadened my perspective on landscapes, but also makes me appreciate my own country and what scope Scotland has to offer in subject matter for artists." Renowned for her pastel painting, Margaret is a member of the Portrait Society of America, featuring regularly in the International Artist magazine.

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Peter Goodfellow

Born in Middlesbrough Peter attended grammar school before completing a foundation course at Middlesbrough College of Art. He went on to study at the Central School of Art, London from 1968-71. His work is represented in galleries across Scotland and the UK and has been exhibited in Ireland and Germany as well. His self portrait 'All Dressed up for Mam and Dad' has been exhibited at the National Portrait Gallery in London and at the National Portrait Gallery in Edinburgh. He now lives and works in Strathdon in Aberdeenshire where he runs The Lost Gallery with his wife Jean.

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Alan Hayman

Alan Hayman is a self taught artist born and reared in Montrose, Angus. He drew continuously throughout his life. Through observation of the world around him, and experimentation with different media and techniques, he developed his own recognizable style. He now lives and works from his studio in Drimnin in Argyll where he continues to be inspired by the natural world around him.

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Steven Higginson

Steven was born in Dumfries, Scotland, in 1982. Growing up, Steven often sketched the iconic images from album covers and music books and these influences have stayed with him and can be seen in the use of pop photography in his contemporary still lifes. Having won various national competitions and prizes for his work, Steven followed his inevitable path in art, choosing to study at Duncan of Jordanstone College of Art and Design, Dundee in part due to the art school's traditional approach to teaching painting. He was awarded The Aiden Threlfall Traveling Scholarship from the Goldsmith's Company in London in 2004, the year he graduated. He used the scholarship to spend time in Paris, Venice, Rome and Madrid studying works of the old masters, namely Velazquez, Caravaggio and Manet. This trip proved very influential as these artists' chiaroscuro style can still be seen in his work today. He has been painting full-time since 2005, and has had work accepted at the RGI and Aberdeen Artists Society annual shows.

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Jonathan Hood

Born 1957 in Edinburgh, Jonathan was educated in Fife and Angus and attended Duncan of Jordanstone College of Arts from 1976 to 1979 going on to study drawing at the Ecole des Beaux Arts, Paris in 1979. He became a full-time artist in 1989 and has exhibited widely throughout Scotland including the Aberdeen Artists\\\' Society and Royal Scottish Academy. His work is held in private collections throughout the world.

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Catherine Imhof-Cardinal

Catherine Imhof-Cardinal is a Swiss-French artist living near Aberdeen in Scotland. She began her career in Aix-en-Provence. Catherine\'s work is informed by a strongly developed sense of colour, often in daring and unusual composition of a figurative or semi-abstract nature. Her approach to composition is without preconception; each work gradually emerges from a series of lines thrown onto the sheet, the subject and composition suggesting themselves through the work process. In this way, impressions gathered on travels and from life in general re-emerge in the paintings, not as factual representations but as images imbued with the feeling of places and events.

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Cate Inglis

Cate Inglis is a Scottish painter and printmaker and the 2013 winner of the RGI Armour Award for Landscape Painting of Distinction. The recipient of two awards whilst attending Glasgow School of Art, since graduating she exhibits regularly in both solo and group exhibitions. She works from her home-studio in the West End of Glasgow surrounded by post-industrial inspiration. Of her work she says "My practice is concerned with the layers and structure of the urban landscape: the transience of the built environment in a relentless process of growth and change. Anonymous yet familiar, I focus on the mundane city streets...the overlooked and unnoticed details in a patchwork of grand houses, industrial wastelands, concrete offices and glittering new flats that fill the streets of our cities. I am drawn in by the illusion of permanence that we create for ourselves and the fragile nature of the recognisable city in a time of accelerating change. The surfaces of my paintings echo the structure of these complex layers. By constructing and peeling back layers of paper, I create delicately textured surfaces on which to paint, print and draw. The paper layers act as a metaphor for how thin and temporary everything we build ultimately is."

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Frances Innes

Frances trained at Gray's School of Art and now lives and works near Peterhead in the North East of Scotland. The coastline is a favoured subject.

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Anita Inverarity

Local artist Anita Inverarity trained as a graphic designer at Aberdeen College and it was here with support from her tutors that her apptitude for illustration was recognised and encouraged. Her unique style of intricate pen and ink work developed during this time which she used to illustrate children\\\'s books. Inspiration for her work comes from many sources - the wildlife around Deeside as well as folklore and Scottish fairytales.

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Elin Isaksson

Elin's glass making career began in her native Sweden, a country famed for its studio glass tradition. She attended the Orrefors Glass School from 1998-2000 and moved to Scotland in 2001 to study for a BA in Architectural Glass at the Edinburgh College of Art graduating in 2004. She went on to attain a Masters in Design from the College in 2005. She has worked and trained at glass studios in Scotland, Denmark, Sweden, Italy and India and has won many scholarships and awards for her work. In 2009 she set up her own glass studio and gallery drawing inspiration for her work from her travels and the intrigue of the play of light on the colours and textures of nature.Elin is based in Stirling where she creates her glass work and runs glass blowing courses open to the public.

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Kittie Jones

Born in Cumbria, Kittie moved to Edinburgh to study at Leith School of Art and went on to study Fine Art at Edinburgh University and Edinburgh College of Art graduating with an MA in 2008.She now works as a tutor at Leith School of Art whilst continuing to produce her own work for national exhibitions from her studio at Coburg House in Leith.

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Fi Knox

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Lindsey Lavender

Lindsey is a trained architect and for many years painted in her spare time whilst pursuing her professional career. In recent years she has focussed on creating and exhibiting her artwork, whilst continuing her artistic development part-time at Edinburgh College of Art. Lindsey's art encompasses drawing, painting, printing, collage and textiles. Recently painting has been the predominant part of her practice. Through her work, she examines natural and built environments, seeking simple observations that are often overlooked. She is fascinated by and intrigued with the everyday. The work has been described as having a sense of melancholy calm that draws the viewer in. It explores, often through a restricted palette, the juxtaposition of manmade and natural as well as rhythm, and the play of light and shade, often on the seemingly ordinary. Lindsey's first exhibition piece 'Forest Series - Untitled' was awarded the ‘Connell & Connell Prize’ at the SSA Open Exhibition 2013. Lindsey is a member of the SSA (Society of Scottish Artists), VAS (Visual Arts Scotland) and AIR (Artists Interaction and Representation)

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Angela Macleod

Angela studied Drawing and Painting at Glasgow School of Art from 1991-1995. Having worked outside the art world for several years only painting in her spare time, she recently moved to Fife. The move provided the impetus to return to painting full time. Angela works in a variety of mediums, although mainly in oil, and colour has always been the main focus of her work. She uses a variety of subject matter usually taken from nature to explore the effects of different colour combinations, shape and pattern to create bold and vibrant expressions that reflect the beauty and energy of the subject.

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Shazia Mahmood

Shazia Mahmood has been producing her own unique works for over two decades. She regularly shows her work publicly and has an impressive list of exhibitions to her name. Ttrained and based in England, Shazia's love of Scotland began with a trip to Sutherland in 1994. Since then she's been hooked on the light and landscape which brings her North repeatedly where the landscape continually inspires.

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Jenny Matthews

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Robert McAulay

Born on the south side of Glasgow in 1961, Robert trained as an upholsterer before attending art college in the mid 1980's. Since then he has gained recognition for his mixed media works depicting enigmatic scenes often at the edges of human inhabitation. "Many of my paintings are full of symbols or images relating to events, thoughts, ideas from my life, but I am not going to bore the viewer with such details. The viewer will bring all of their own memories with them, and will either connect in some way with what they see or they will not. I like mystery, I do not want everything explained to me, I like to discover for myself."

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Alan McGowan

Alan McGowan is an expressive figure painter based in Edinburgh working directly with life models and never photography. His work has been chosen to exhibit at the BP Portrait Award, The Threadneedle Prize for Figurative Art and the Ruth Borchard Self portrait prize, and he was a semi finalist in the SKY Portrait Artist of the Year 2014 . His painting of the figure is as much a celebration of the medium of oil painting as an exploration of the human form. For Alan, painting is like a performance, a process that he likes viewers to be reminded of when they look at his canvases. His work is loaded with expressive brushwork that exhibits a perfect balance of control, technical ability and painterly improvisation.

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Alastair McKenzie

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Lesley D McKenzie

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Phil McLoughlin

Phil McLoughlin was born Phil Barker in Dunfermline in 1946. He worked as a foundry labourer, railway porter and jute millworker and psychiatric nurse between 1964 and 1975. Despite no formal training in art his work was exhibited as part of the Scottish Young Contemporaries in 1968. Around this time he was awarded a prize by the RSA and set up an artists collective in Dundee. In 1978 he gave up art to train as a psychotherapist going on to pursue an academic career. He was awarded a doctorate in Philosophy in 1985 and went on to work in universities in England, Australia, Japan and Ireland as a professor, psychotherapist and author. He returned to painting in 2007 as 'Phil McLoughlin' to much acclaim. He was elected a professional member of the Society of Scottish Artists in 2012.

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Janet Melrose

Janet studied at Edinburgh College of Art graduating in 1987 with a BA (Hons) in Drawing and Painting. She received the Andrew Grant Bursary in the same year and continued her studies at the Lorenzo de Medici School of Art, Florence. Following her graduation she continued to paint alongside tutoring part-time in community education. She has painted full time for more than ten years from her studio in Perthshire where she is inspired by the natural world and our impact upon it. She is an elected member of the Royal Scottish Society of Painters in Watercolour and Visual Arts Scotland and, as a multi award winning artist, exhibits widely across Scotland and the UK.

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Aiden Milligan

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Liz Milne

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Illona Morrice

Illona was born in Copenhagen, Denmark in 1954. Her father was a painter and her mother a potter. She started sculpting in clay at her mother\'s workshop at an early age and exhibited for the first time at the age of 17. On leaving college she opened her own gallery. Illona moved to the UK in 1979 living and working in Moray since 1986, where she continues to work in stoneware and bronze. She says Over the years I\'ve realized I can say more with less. So I strive with a few lines and curves to express a multitude of feelings and to let your imagination fill what I\'ve left space for, to create peaceful sculpture which will continue to grow with you and me.

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Ryan Mutter

Born in 1978, Ryan studied at Glasgow School of Art, where he graduated in 2001. Like many artists he began his professional career teaching, but as demand for his work steadily grew he made the decision to paint full time in 2005. He has won several awards, including three consecutive years at the Royal Glasgow Institute, and his work can be found in collections around the world, including Geneva, Zurich, Vancouver, Belgium, Tasmania, Boston, and Utrecht. His inspiration comes from Britain’s industrial heritage, and Glasgow’s historical role as the ship building capital of the world. Through his work Ryan seeks to capture and remind people of how important Glasgow’s huge work force was in the development of the modern world.

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Amanda Phillips

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John Paul Raine

John Paul Raine attended Leeds School of Art for one year in 1967. He then worked freelance as an illustrator for several years, returning to painting in 1985 when he enrolled at Gray's School of Art in Aberdeen. After graduating he worked for two years as a lecturer in painting and drawing at Aberdeen College, and then for one year on an ad hoc basis teaching life drawing at Gray's School of Art

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Clive Ramage

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Maralyn Reed-Wood

Maralyn's affair with ceramics began at school in Kirkcudbright where the Higher Art class worked with the Lochhead Pottery. She studied art in Essex making pots in a studio converted from an air-raid shelter. After becoming a teacher, Maralyn worked as an Art Therapist in an epilepsy hospital, setting up her own studio simultaneously. At a time when figures were most unacceptable in the art world, she worked against the trend. Her figures were accepted by the Triennialle de la Porcelain, Nyon, Switzerland, the 'porcelain capital' of Europe. This was followed by The International Porcelain Exhibition at the Scottish Gallery and an Arts Council Award. Illness brought her career to an abrupt halt, and she re-invented herself making small ceramic pieces which sold internationally for the next 15 years, winning awards and commendations. She has finally returned to her figurative roots, and her porcelain figures sell in galleries throughout Scotland. She has exhibited with the RSA and The RGI and has been short-listed on four occasions for figurative porcelain awards.

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Ronnie Russell

Ronnie Russell was born in Aberdeen and for most of his life has lived in Troon, Ayrshire. After 25 years in the textile design industry, Ronnie is now a full time artist and cartoonist, since the early 1990's specialising in acrylic and watercolour painting.

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Maryann Ryves

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Ian Smart

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Joe Smernicki

Originally from Blairgowrie, Perthshire, Joe graduated from Duncan of Jordanstone College of Art in 1973, having gained a High Commendation in his Post-graduate year and as a student he won a scholarship to attend the Hospitalfield House Summer School in Arbroath in 1971. He worked for many years as a teacher and attained the position of Head of Art at Arbroath Academy. Now retired from teaching, Joe is concentrating on painting from his home and studio in Montrose. The inspiration for my work comes almost exclusively from the coastal and rural environment around my home town of Montrose. The paintings reflect a dual interest. On one hand they are portrayals of a very distinctive and visually rich landscape with its fishing stations, small boats, farm implements and sheds. Equally, the paintings are an exploration of colour, tone, shape and line that are brought together in a carefully balanced composition.

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David Smith

Born in 1957, David Smith is a Scottish contemporary landscape artist. The palette and inspiration for his work is taken from the seaboard and landscape of Scotland. Although predominantly a self-taught artist, he has studied at various colleges including the Glasgow Print Studio, Glasgow College of Building and Printing, Glasgow School of Art and Latrobe University, Melbourne, Australia. A past member and president of the Glasgow Group of Artists, he was elected member of the Royal Scottish Society of Painters in Watercolour (RSW) in 2011. He was elected member of RSW council in 2013. Smith has shown at the Royal Glasgow Institute (RGI), Royal Scottish Academy (RSA), Paisley Art Institute (PAI) and RSW annual exhibitions and has won various prestigious awards.

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Mairi Stewart

Born and educated in Scotland, Mairi Stewart studied Drawing and Painting at Edinburgh College of Art, graduating in 1977. She obtained a Diploma in Secondary Teaching, continuing to paint and exhibit throughout her teaching career. She is now a professional artist, working from her Edinburgh studio and exhibiting regularly in galleries throughout the UK. Her colourful still life paintings explore the relationship that selected objects have with memory. The work is not a literal portrayal and the essence of the work is simplicity. A flattened perspective and a bold use of colour help to heighten the contemporary vision.

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Fiona Sturrock

Working mainly in acrylics, Fiona has an interest in the old and new, the past and the present, and how these function together within the same space. She is drawn to objects with a history and a story. Old vases and jugs hold the vibrant newness and natural simplicity of the flowers that she favours in her paintings. Fiona paints from a mixture of life scenes, photographs and her imagination. She is influenced by the works of the Colourists and Impressionists, and is hugely inspired by the wealth and richness of contemporary Scottish art. Fiona's work is exhibited by a number of Scottish galleries and is held in private collections in the UK and overseas.

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Nerine Tassie

Nerine graduated with a degree in Fine Art from Edinburgh College of Art in 2002. She completed postgraduate studies in teacher training and enjoyed a career teaching Art and Design before entering and winning The Sky Arts Landscape Artist of the Year 2015. Since then she's dedicated more time to painting from her studio in Fife where she lives with her husband and young family. Of her work she says "Natural spaces and forms provide the basis and inspiration for my work; in particular the textures found within the natural world both land and sea. I experiment with a wide range of materials in order to constantly develop new experiences within each painting so each piece takes on its own developing surface and object quality."

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Tricia Thom

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Marion Thomson

Marion Thomson was born in 1958 and studied at Glasgow School of Art from 1976 - 78, and then at Glasgow University where she was awarded an M.A. in History of Fine Art, Drama , Film and Television. From 1981- 99 Marion worked as a Costume Designer in theatre , film and television while continuing to paint. Inspired by the Scottish landscape she says For as long as I can remember, the Outer Hebrides and the western seaboard of Scotland have been a source of inspiration and delight to me. The unique qualities of that landscape - its remoteness, its sense of rugged endurance contrasted with the delicacy of certain shorelines, the physical isolation of the people and their homes - all create a powerful drama that draws me back again and again.”

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Fiona Thomson

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Kitty Watt

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Jenny Watt-Colbeck

Jenny lives and works in rural Aberdeenshire where she combines parenting with painting. She has a very distinct style which she used to depict what she observes around her.

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Ann Wegmuller

Born in Gourock in Scotland, Ann lived in Zurich, Switzerland for over ten years before returning to live in Perthshire. She attended Duncan of Jordanstone College of Art and Design, Dundee graduating in 1985. She is an elected member of the Royal Society of Painters in Watercolour, the Royal Watercolour Society and Aberdeen Artists Society. She has won many prestigous awards and her work is held in a number of corporate collections as well as private collections worldwide.

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Trejayne Wonnacott

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Georgie Young

Georgie Young is a graduate of Glasgow School of Art and paints mainly contemporary Scottish landscapes. Her work aims to evoke a feeling and capture a sense of place, an atmosphere or an unexpected detail rather than reproduce a direct likeness. The paintings are a product of observation, interpretation and improvisation; the original observation is processed, re-examined and the essence abstracted. Her work is an attempt to reveal the unexpected beauty of unremarked places, the interplay of light, time, weather and season on everyday landscape, and the presence and influence of the human on the physical environment.

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    • Briony Anderson

    • From Here I Isolate a Small Piece of Landscape I

    • Watercolour

    • 10 x 15 cm

    • £495

    • £49.50 per month

    • Briony Anderson

    • From Here I Isolate a Small Piece of Landscape II

    • Watercolour

    • 10 x 15 cm

    • £495

    • £49.50 per month

    • Caroline Bailey RSW

    • Sunflowers on Blue Check

    • Mixed media

    • 75 x 80 cm

    • £3,950

    • £250.00 pm + deposit

    • Rosanne Barr

    • Storm Clouds are Clearing

    • Oil

    • 60 x 60 cm

    • £1,200

    • £120.00 per month

    • Brian Baxter

    • Oystercatchers in Sunlight

    • Mixed media

    • 38 x 48 cm

    • £450

    • £45.00 per month

    • George Birrell

    • Yachts Rounding the Headland

    • Oil on linen

    • 60 x 60 cm

    • £3,750

    • £250.00 pm + deposit

    • George Birrell

    • Stacked Lobster Pots

    • Oil on board

    • 40 x 40 cm

    • £2,750

    • £250.00 pm + deposit

    • Francis Boag

    • Val d'Isere, Last Run

    • Acrylic

    • 60 x 90 cm

    • £5,500

    • £250.00 pm + deposit

    • Francis Boag

    • Roof Garden, Aberdeen Royal Infirmary

    • Acrylic

    • 50 x 75 cm

    • £3,950

    • £250.00 pm + deposit

    • Colin Brown

    • Modern Lovers

    • Mixed media on panel

    • 65 x 40 cm

    • £1,650

    • £165.00 per month

    • Colin Brown

    • Orbison

    • Mixed media on panel

    • 45 x 45 cm

    • £1,200

    • £120.00 per month

    • Ruth Brownlee

    • Shifting Light by Troswick

    • Mixed media

    • 35 x 38 cm

    • £720

    • £72.00 per month

    • Patricia Cain RGI

    • Wild Puffing of Emerald Trees & Flame Filled Bushe

    • Mixed Media

    • 60 x 80 cm

    • £2,000

    • £200.00 per month

    • Patricia Cain RGI

    • The Descending Blue

    • Mixed Media

    • 60 x 60 cm

    • £1,800

    • £180.00 per month

    • Catriona Campbell

    • Two Gallus Girls, a Boy and a Collie

    • Oil on board

    • 30 x 30 cm

    • £1,200

    • £120.00 per month

    • Kim Canale

    • The Sea, The Sea, Lunan Bay

    • Mixed media on board

    • 40 x 90 cm

    • £1,500

    • £150.00 per month

    • Kim Canale

    • Take Me to the Sea, Catterline

    • Mixed media on board

    • 30 x 37 cm

    • £700

    • £70.00 per month

    • Pam Carter

    • Rocky Shoreline to Rum

    • Oil on canvas

    • 50 x 100 cm

    • £5,400

    • £250.00 pm + deposit

    • Pam Carter

    • Cluster Beyond the Dune

    • Oil on canvas

    • 60 x 60 cm

    • £4,000

    • £250.00 pm + deposit

    • Pam Carter

    • Coral Beach

    • Oil on canvas

    • 50 x 70 cm

    • £4,000

    • £250.00 pm + deposit

    • Pam Carter

    • Beach Standing Textures

    • Oil on canvas

    • 40 x 40 cm

    • £2,100

    • £210.00 per month

    • Pam Carter

    • Waterloo Dusk

    • Oil on canvas

    • 20 x 20 cm

    • £950

    • £95.00 per month

    • Pam Carter

    • Winter Light

    • Oil on canvas

    • 20 x 20 cm

    • £950

    • £95.00 per month

    • Kirstie Cohen

    • Darkness Descending

    • Oil on board

    • 40 x 45 cm

    • £1,485

    • £148.50 per month

    • Peter Davis

    • Hellyiefer

    • Watercolour & bodycolour

    • 20 x 30 cm

    • £400

    • £40.00 per month

    • Peter Dworok

    • Glen Bracadale, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £450

    • £45.00 per month

    • Peter Dworok

    • Loch Bay, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £450

    • £45.00 per month

    • Peter Dworok

    • Waternish, Isle of Skye

    • Oil on board

    • 30 x 30 cm

    • £450

    • £45.00 per month

    • Margaret Evans

    • Golden Light, Loch Tulla

    • Gouache & pastel

    • 45 x 45 cm

    • £1,100

    • £110.00 per month

    • Margaret Evans

    • Sundown on West Coast

    • Gouache & pastel

    • 45 x 45 cm

    • £1,100

    • £110.00 per month

    • Jonathan Hood

    • Having and Eating Dundee Cake

    • Oil on board

    • 60 x 45 cm

    • £1,250

    • £125.00 per month

    • Cate Inglis

    • Unstructured

    • Oil on board

    • 40 x 100 cm

    • £1,800

    • £180.00 per month

    • Cate Inglis

    • Empty Shell

    • Oil on board

    • 40 x 70 cm

    • £1,400

    • £140.00 per month

    • Frances Innes

    • Old Peat Track, St Fergus

    • Mixed media

    • 40 x 55 cm

    • £550

    • £55.00 per month

    • Elin Isaksson

    • Dewdrop Vase (L, grey, pink) 18.12

    • Hand blown glass

    • 25 x cm

    • £195

    • £19.50 per month

    • Elin Isaksson

    • Dew Drop (S, blue, amber) 18.15

    • Hand blown glass

    • 20 x cm

    • £145

    • £14.50 per month

    • Kittie Jones

    • Maiden Stack, Papa Stour

    • Mixed media

    • 56 x 76 cm

    • £900

    • £90.00 per month

    • Fi Knox

    • A New Foal Soul

    • Mixed media

    • 45 x 35 cm

    • £295

    • £29.50 per month

    • Robert McAulay

    • Elemental Forces I

    • Acrylic on board

    • 30 x 120 cm

    • £1,750

    • £175.00 per month

    • Robert McAulay

    • Elemental Forces II

    • Acrylic on board

    • 30 x 120 cm

    • £1,750

    • £175.00 per month

    • Robert McAulay

    • Elemental Forces III

    • Acrylic on board

    • 30 x 90 cm

    • £1,350

    • £135.00 per month

    • Robert McAulay

    • Elemental Forces IV

    • Acrylic on board

    • 30 x 90 cm

    • £1,350

    • £135.00 per month

    • Robert McAulay

    • Beyond the Valley I

    • Acrylic on board

    • 40 x 60 cm

    • £1,250

    • £125.00 per month

    • Robert McAulay

    • Beyond the Valley II

    • Acrylic on board

    • 40 x 60 cm

    • £1,250

    • £125.00 per month

    • Alan McGowan

    • Reclining Figure

    • Oil on board

    • 40 x 50 cm

    • £1,750

    • £175.00 per month

    • Janet Melrose RSW

    • Marks Through Time

    • Watercolour on panel

    • 70 x 90 cm

    • £1,750

    • £175.00 per month

    • Janet Melrose RSW

    • Marks on the Land

    • Watercolour on panel

    • 60 x 80 cm

    • £1,200

    • £120.00 per month

    • Liz Milne

    • Spring Thaw

    • Mixed media

    • 70 x 25 cm

    • £450

    • £45.00 per month

    • Liz Milne

    • Reed Bed

    • Mixed media

    • 55 x 30 cm

    • £425

    • £42.50 per month

    • Liz Milne

    • Nesting Time

    • Watercolour

    • 35 x 45 cm

    • £375

    • £37.50 per month

    • Liz Milne

    • Paradise Song

    • Watercolour

    • 35 x 45 cm

    • £375

    • £37.50 per month

    • Liz Milne

    • Nuts and Bolts I

    • Decoupage under glass

    • 33 x 33 cm

    • £125

    • £12.50 per month

    • Ryan Mutter

    • Reflections of the Docklands

    • Oil on canvas

    • 60 x 30 cm

    • £1,950

    • £195.00 per month

    • Ryan Mutter

    • Where the Birds Fly

    • Oil on canvas

    • 60 x 30 cm

    • £1,950

    • £195.00 per month

    • Clive Ramage

    • The Bass Rock in Summer

    • Mixed media

    • 25 x 55 cm

    • £650

    • £65.00 per month

    • Clive Ramage

    • The Bass Rock in Winter

    • Mixed media

    • 30 x 55 cm

    • £650

    • £65.00 per month

    • Ian Smart

    • Journey

    • Graphite on conti board

    • 60 x 73 cm

    • £450

    • £45.00 per month

    • Ian Smart

    • Cadaques

    • Graphite on conti board

    • 60 x 65 cm

    • £400

    • £40.00 per month

    • David Smith RSW

    • Running Sea, Ullapool

    • Oil on linen

    • 65 x 75 cm

    • £3,200

    • £250.00 pm + deposit

    • David Smith RSW

    • The Bothy

    • Oil on linen

    • 65 x 75 cm

    • £3,200

    • £250.00 pm + deposit

    • Mairi Stewart

    • Bridgewater and Honeysuckle

    • Acrylic on board

    • 35 x 35 cm

    • £450

    • £45.00 per month

    • Nerine Tassie

    • August Light, Northern Waters

    • Mixed media on board

    • 50 x 50 cm

    • £2,000

    • £200.00 per month

    • Nerine Tassie

    • Forest Walk, Golden Light

    • Mixed media on board

    • 20 x 25 cm

    • £700

    • £70.00 per month

    • Tricia Thom

    • Moon Jar (large bowl)

    • Porcelain with bronze splash glaze

    • 27 x 27 cm

    • £550

    • £55.00 per month

    • Tricia Thom

    • Moon Jar (large)

    • Porcelain with bronze splash glaze

    • 27 x 27 cm

    • £550

    • £55.00 per month

    • Tricia Thom

    • Bowl (large)

    • Porcelain with bronze splash glaze

    • 18 x 30 cm

    • £425

    • £42.50 per month

    • Tricia Thom

    • Bowl (large)

    • Porcelain with bronze splash glaze

    • 18 x 30 cm

    • £425

    • £42.50 per month

    • Tricia Thom

    • Tea Set with Wire & Birch

    • Porcelain with bronze splash glaze

    • 22 x 18 cm

    • £180

    • £18.00 per month

    • Tricia Thom

    • Tea Set

    • Porcelain with celadon glaze

    • 26 x 17 cm

    • £165

    • £16.50 per month

    • Kitty Watt

    • Fractured Rocks

    • Aquatint etching

    • 10 x 30 cm

    • £185

    • £18.50 per month

    • Kitty Watt

    • Lochnagar, Early Snow

    • Aquatint etching

    • 10 x 30 cm

    • £185

    • £18.50 per month

    • Kitty Watt

    • Winter Sunset

    • Aquatint etching

    • 10 x 30 cm

    • £185

    • £18.50 per month

    • Ann Wegmuller RSW RWS

    • Flooded Land I

    • Oil on canvas

    • 40 x 50 cm

    • £1,400

    • £140.00 per month

    • Ann Wegmuller RSW RWS

    • Flooded Land II

    • Oil on canvas

    • 40 x 50 cm

    • £1,400

    • £140.00 per month