Jennifer Mackenzie
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Jennifer MackenzieLilies in a Red JugOil on canvas60 x 50 cm
Framed 78 x 66 cmJennifer Mackenzie, Lilies in a Red Jug£ 1,700.00 -
Jennifer MackenzieNarcissiOil on board25 x 25 cm
Framed 35 x 35 cmJennifer Mackenzie, Narcissi£ 550.00 -
Jennifer MackenzieRed TulipsOil on canvas30 x 30 cm
Framed 48 x 48 cmJennifer Mackenzie, Red Tulips£ 750.00 -
Jennifer MackenzieSparkling Red TulipsOil on canvas50 x 50 cm
Framed 70 x 70 cm -
Jennifer MackenzieWhite CarnationsOil on canvas40 x 40 cm
Framed 53 x 53 cmJennifer Mackenzie, White Carnations£ 950.00
Jennifer Mckenzie is a Scottish artist who lives and works in the beautiful setting of Golspie, Sutherland. She graduated from Glasgow School of Art in the 1970s, where she was taught and influenced by great artists such as David Donaldson, Duncan Shanks and Leon Morocco. It was here that Jennifer was allowed the freedom to hone her artistic abilities and creative talent.
Following graduation she taught Art and Design in schools in Lanarkshire, Inverness and Sutherland. Since her retirement from teaching in 2001, Jennifer has been painting professionally and exhibiting her art in numerous galleries across Scotland.
Jennifer has exhibited with Gallery Heinzel for more than 25 years and was the subject of a solo exhibitoin of more than 40 paintings in spring 2019.
About Jennifer’s paintings
Ever since her days at Glasgow School of Art, Jennifer has been passionate about still life compositions, with flowers often the main subject matter. She relies on shop-bought flowers over the winter months, raiding her husband's borders over the summer.
Jennifer’s paintings are a very personal response to what is around her, in terms of colour, light and space. Before creating her composition, she considers the colours she will use very carefully, then mixes them on the palate rather than on the canvas. Her paintings have a remarkable texture. She applies the paint with a palette knife wiping the canvas with a rag if she feels that the texture is becoming too repetitive.
For Jennifer, the biggest challenge is deciding whether a painting is complete. She admits that once she starts footering, that’s when it’s usually time to stop.